Tuesday, 16 September 2014
The Invitation (Angry Hourglass)
Photo courtesy of Ashwin Rao (via The Angry Hourglass)
The Invitation
You pass the door several times, circling the block, before making your way to the door, invitation in hand. No need to check the number. You know it is here. The sign across the frontage is faded, unobtrusive - in contrast to the fluorescent slivers of light moving behind the glass from side to side. You touch a hand to it, watching as the school gather swiftly about your fingertips before flitting away once more. The door swings outward, inviting you to enter; to pass beyond the velvet curtain inside, into the warmth. The fabric parts and you move forward through its whispering folds, which hold the remnants of a rich scent you cannot place precisely between them.
Beyond them, a white gloved hand proffers the embossed tray to you. You exchange the crumpled paper folded into your palm for one of the chilled morsels with a nod, placing it to your lips, head back, swallowing quickly; one gulp and gone. The aftermath is the kiss of bitter sweet brine at the back of your throat. Pinprick lights dance overhead, their steps reflected in the sheen of the polished floor beneath your feet, before dimming down into blur. The room spins on its axis about you, as you ride your silken slide into oblivion, over and over, colour swimming circles, around and around.
You open your eyes to dark shadows clearing. A deserted hallway lies before you, a door at the very end. A peal of low laughter sounds from beyond its silence. You make your way to its promise, tiny blasts of breath creating caresses of heat at the nape of your neck as you move closer. It is almost time. You know your way now.
Your fingers grasp the door handle firmly. You hear the sharp click of the mechanism as you turn the ridged metal clockwise, opening the burnished wood wide on its frame. You move through, eyes searching; expectant. Now you see them in front of you; take a step towards them, raising a hand in greeting to the familiar faces, brushing with the other at your moist cheeks. You are here. Together again. At last.
Comment
This one was written for this last week's Angry Hourglass competition. I wanted to try something different and so put together a - slightly tricksy - sense oriented second person point of view piece.
Monday, 15 September 2014
Silent Struggles (Flash! Friday)
1896 Olympic Marathon. Public domain photo by Burton Holmes. (Via Flash! Friday)
Silent Struggles
We have been at war now for a while, you and I. Struggling silently; fighting for
precedence. Have come at last to know
each other intimately, one with each other, as you coax me towards your finish
line, sweat browed and queasy. I will
not rush to get there. I know how this
race ends. Still, sleep shuts you out,
sometimes – until I wake again to light.
Once more round the track, perhaps?
Our exertions have pared me to planes and edges; a
featherweight run ragged by the battle; not yet down and out for the
count. Not beaten. Not yet, my corporeal competitor. Not yet – thought I lag behind a little,
breath rattling. You are in front, back
to me – a challenge in target. To
reach. To move beyond. A marathon endurance without training enough
to accomplish the feat, so it seems. I
am no Olympiad, I know. Your path
stretches out before me. Still. I crawl forwards.
Comment
My entry for Flash-Friday-Vol-2-40. This one received an Honourable Mention and lovely feedback, which made for really pleasant reading. I really didn't expect to place, considering how many great stories were submitted!
Thursday, 11 September 2014
Work In Progress (Writing Process Blog Tour)
I was honoured to receive an unexpected DM from the
decidedly talented Jacki Donnellan requesting permission to co-opt me for the current Writing Process Blog Tour as
one of her three writers whose work she enjoys recently – especially given how
much I enjoyed her recent Angry Hourglass winner "I Serve" and the incredibly powerful and
moving "Cynthia". Add to that her impressive record over
at Flash! Friday and fact that her micro poetry has recently been distributed at the Edinburgh Fringe Festival (other publications aside) and I can only say thank you, given I’m well aware of the number of talented
writers she could have chosen to feature – especially given I’m a relative
newcomer to the flash fiction scene in real terms.
In appreciation of the opportunity afforded to me, on with
the questions, before giving a nod to several great writers I’ve had the
fortune to happen across during my time online…
What Am I Working On?
At the time of writing this entry I guess I’m currently
juggling a number of projects and/or have more than one potential project
bubbling away at the back of my subconscious, waiting to steal the forefront
away from other current writing.
In an
average week there tends to be a steady mix of Twitter based micro poetry and
flash fiction based prompts – or so I’ve found to date, this being only a ten
odd month work in progress in terms of consistent writing for
prompt/website/Twitter/whatever.
Presently pending is my story “Dealbreaker”, a
horror/mythology/urban legend mash up, which will feature in "In Creeps The Night" as of 30th September 2014 – just in time for Halloween! Alongside my own tale, a couple of other
writers whose names will be/may be familiar are featuring. I’m very much looking
forward to reading the stories from them in due course!
I’m particularly looking forward to the opportunity to write
for my writing group The Poised Pen's first Halloween based (and international) flash fiction competition (fellow “flash dogs”, do you have your ideas
at the ready yet? ;)). I also have four
or so short chapters of a novelette length YA story in first draft format and
the beginnings of something holding out for a darker steampunk premise –
probably also likely to end up at novelette length unless it gets carried away
with itself!
Ideally I’m also aiming to
head back into the world of music prompts via Mid-Week-Blues-Buster, now the competition’s recently returned from what was previously specified
as an indefinite hiatus. Given the
opportunity, I quite enjoy the chance to write something slightly longer than
two hundred or so words, as a bit of a change of pace. Also – there can never be too many fictional words
(or indeed worlds!) shared between writers, surely…
How Does My Work
Differ From Others Of Its Genre?
As a couple of the writers who’ve posted on this topic
before me have mentioned, I’m another writer (albeit fledgling seeking to
spread my wings compared to a number of others I might care to mention!) who
tends to play out ideas off the back of my reading matter and viewing
experiences. I suppose this explains why
I’m prone to jump from a Milford style crossroads
demon story to poetry prose on Atlantis, resulting in a mix of stories and poetry, as
opposed to sticking completely to one particular medium/genre/sub-genre, given
I’ll read anything ranging from Shakespeare to Stephen King and Neil Gaiman,
depending on my mood. Experience to date
suggests that’s a habit which reproduces itself in my writing, to an extent.
Having thought about it a little for the purposes of the
blog post and with @TheShakes72's
previous comment on Twitter about “imaginative takes” on prompts in mind, I
guess it would be fair to say occasionally I consciously “subvert” prompts by
writing for them at a tangent. That’s
probably me deliberately trying to stretch myself as a writer and make
progress, given I always know there’s plenty for me to make as a relative
newcomer to writing!
The very kind @DonnellanJacki tells me my writing is poetic, which might result from the musical “aspect” of
my head. Aside from a love of music in
general terms, I used to be involved in an orchestra, meaning I tend to “hear”
my story’s/poem's cadences in my head, dialogue included. Occasionally, this means I can also “hear”
the right fit for the patterns and the rhythm clicks into place. Obviously, that’s on a good day!
Why Do I Write What I
Write?
Partially because my fellow “Poised Penner” @zevonesque made reference to a number of flash fiction competitions at meetings a while
back (alongside reading his own work), beginning with Flash! Friday and I followed up on the website links and have carried on writing flash
fiction ever since…
I liked the concept of writing “small scale” with a
designated number of words and – to an extent – the immediacy that would demand
with deadlines in mind as a way of getting back into writing, given I’d been
scribbling bits of things down since a relatively early age but never really written
regularly on an ongoing basis. Given I’ve
also been known historically to muse on how and why fiction works, I suspect my love for reading translates directly
into seeking to work with words myself and – hopefully - establishing my own
connections with fellow readers somewhere along the way.
Opportunity to practice writing aside (and hopefully improve too!), it’s given me the chance to frequent a number of
great websites and become part of active, continuously supportive writing
communities - Flash! Friday and Angry Hourglass being some of the first ones I came across. (The
corner of the internet frequented by my fellow “Flash Dogs”, particularly – you
know who you are, all of you - seems to
be going from strength to strength over the recent weeks!) I’ve also posted reasonably regularly at
Mid-Week-Blues-Buster and Office Mango's "Horror Bites" challenges, as well as for @Angela_Goff's VisDare photo prompt and previously at Trifecta and Race The Date.
I guess I like trying to maintain an eclectic mix in terms
of the types of prompts I’m writing for at any given time and the type of story
they are likely to inspire, because it forces me to write beyond the boundaries
of my “default”, which tends to be spec fic – something I read (and thus
reproduce in writing terms) regularly.
How Does My Writing
Process Work?
I actually wrote a “How I Write” drabble about this fairly
recently for the The Poised Pen's third
anthology "Half Baked". In essence, it depends on the prompt
and how it “speaks” to me. For online
poetry prompts I tend to scribble the word prompts down by hand and pick one or
two on any given date that I think I can work with. Mostly, I work them through on paper before
they make it into type and onto Twitter.
Occasionally, this means I end up having to cut them down to fit the
requisite number of characters!
With photo prompts, I like to make sure I’ve taken a look at
them at an early stage to allow an idea to develop itself. If I’m really lucky, I’ll have an idea
straight away – sometimes accompanied by a line of dialogue belonging to the
story, which I end up writing down on paper.
Occasionally, if I’m pushed for time but have a story idea I want to see
through to completion I can end up typing straight away onto the computer
screen with a deadline looming! There’ve
also been a couple of occasions I’ve found myself writing towards a specific
ending without necessarily knowing how I’ll get there but my favourite stories
are definitely those that somehow seem to write themselves along the way and
where I get to surprise myself with where I end up…
Introduction To 3 Other Writers
It goes without saying that there are any number of extremely
talented writers who could feature here – and, indeed, a number have already been
tagged previously – justifiably - as part of the tour.
L E Jamez
Twitter: @LEJamez
Laura is a fellow flash fiction writer and author of the
collection of flash fiction stories "Kitchen Antics", as well as running the "Horror Bites" horror flash fiction challenge over at Office Mango.com. She is also involved in the soon to be
published flash fiction anthology "In Creeps The Night".
Laura already has her writing process blog tour post up here.
Casey Rose Frank
Twitter: @CaseyCaseRose
Casey is a fellow “Angry Hourglass” contributor (and back to
back winner!) Read her wonderful
winning story "Communing With Nature" here and “Farmer’s Market” here. She writes everything from quirky
humour to stories involving powerful, human emotion and I always enjoy seeing
what she creates in response to any given prompt.
Ruth Long
Twitter: @bullishink
Wednesday, 10 September 2014
Getting Closer.. (In Creeps The Night)
Couldn't resist sharing the cover reveal for the forthcoming anthology "In Creeps The Night", which will feature my story "Dealbreaker" here. I'm really looking forward to reading it, given I'm lucky enough to know a couple of the other authors who will feature. For those who appreciate horror-themed flash fiction, the anthology will be available on 30th September (in time for Halloween!) in both paperback and as an eBook.
Tuesday, 9 September 2014
Heading West (Horror Bites)
Photo via Office Mango.com
Heading West
They are heading west – always west. The only way forwards now. By car.
By foot, if needs be. Sal hopes
it won’t come to that for a while yet.
They’ve lost track of the towns they’ve passed through – all
one and the same. Interchangeable
locations, with a saving grace. They
haven’t succumbed yet. Buildings stand
proud, brickwork still on show, though they will crumble beneath the living embrace
to their rear. It is coming. Creating chaotic coloured cocoons; moistened
mummies lying abandoned, enveloped, in its wake.
“Keep out of Maudsley,” Tim reads, squinting slightly at the
erratic scribbled words, as they pass a sign, words muffled by the mask across
his nose and mouth. Sal makes a brief note
on their battered map. Someone’s hard
earned lesson. They are silent briefly.
“We need to find somewhere to bed down,” Sal says. “Someplace indoors.” They exchange a glance.
“There’ll be somewhere.
There always is.”
“True enough.” Sal
glances at her watch. “Couple of hours
yet.”
“We’ll make it,” Tim says.
“No worries.” Suddenly, their
heads turn as a twin set of lights reach towards them, contrasting clearly with
the surrounding darkness. They hear the
low note of a car engine, growing closer.
Finally, a door – open, then shut, once the vehicle is within eye line.
“Might prove useful,” Sal says tersely.
The couple watch as a man and woman, younger by perhaps five
years approach them, hesitant smile at their lips belying the caution in their
eyes. “You crazy?” Tim says sharply,
gesturing at the lack of muffler either of them displays. He takes a step backwards, increasing the
distance between them, clutching at Sal’s arm.
“Mostly, I guess,” the man says. “Comes to us all.”
“You know about the seedlings? The spores?” Tim says, insistent.
“Doesn’t everybody?” the woman asks.
“But..”
“They’re north now,” the man says. “South, east, west – you name it. We’ve been.
Seen the bodies.”
Sal shudders.
“Masks don’t work,” the woman says, tone decided. “You were exposed way back.” Slowly, after a look at each other, Tim and
Sal remove the fabric stretched over their faces.
Comment
A short piece for Office Mango's "Horror Bites" challenge - drafted slightly quicker than I would have liked due to time constraints! Fun to write though!
Monday, 8 September 2014
Running The Gauntlet (Angry Hourglass)
Photo courtesy of TheShakes72 (via The Angry Hourglass)
Running The Gauntlet
They will be there, waiting.
They always are. Leaning casually
against the lockers at intervals along the corridor – wanting - needing - Mark
to run their gauntlet. Instead, he is
crawling towards the group of guys standing between him and his exit into a
world beyond theirs, within these walls.
“Div!” Whispered
words, tone low; still he hears them as he passes Daz, the first of them. Already, he is retreating into himself, head
tucked hidden, a small shouldered curling, feet sliding forwards, as though
sticky substances seemingly glue them to the ground underfoot. He feels them threatening to pull him in; to
consume him with what they see. He tells
himself he cannot – will not - be devoured by their daily lessons in
diminishing.
“Spaz!” Louder, as he
walks passed Chris avoiding eye contact, then Mark is on his hands and knees,
fingers outspread to catch himself, as his feet are out and from under him in
one swift motion and he is feeling the friction burns on his skin; the dull
ache in his leg in the aftermath of its initial contact with the floor. His right ankle is a separate, competing sting. Water threatens to spill and blur from his
eyes. He holds it in, heaving - in, out.
Suddenly, they are circled surrounding him, silent, whilst
he sprawls stunned on the cold tile, red stains from his grazes marking the otherwise
ivory white, the broken frames of his glasses to his side.
“See ya later, Specs!” Joe says, pointing into his face, he
thinks, and they are turning en masse, walking away whooping with one another,
leaving Mark to catch and calm his breath, which is still racing through his
chest, along with the thud of his heart.
Mark breathes, eyes suddenly – thankfully - shut,
constructing the layers of himself again from scratch, building them, bit by
bit, spiralling forwards, upon each other, as best he can, whilst he
remains closeted within darkness, keeping out external threats.
Finally, he raises himself to his feet, with them steady
beneath him, surface shell restored. One
day he will build layers such that they can’t hurt him anymore.
Comment
Another Hourglass entry - this time for Flash-Frenzy-Round-34.
Sunday, 31 August 2014
Drowning Deep (Angry Hourglass)
Photo courtesy Ashwin Rao (via The Angry Hourglass)
Drowning Deep
Gazing into the murk over the flagstone clad edge, Lee
wonders how it feels to drown - that surface struggle near-vertical, gasping at
non-existent air and holding of breath whilst bobbing up, then down; further
still, cloth soaked, floundering, arms grasping, windmilling, emoting mute
bubbles; face tilted up towards what little shafts of light might make their
way into the water’s midst. He considers
how long it would take him to sink towards submergence before he would be
beyond saving. He thinks he could hold his
breath for perhaps thirty or so seconds – maybe slightly more – sixty? –
ninety, max? - before being forced to inhale as his body betrays him,
self-preservation’s survival kicking in, like his legs beneath him, though he would
be weighted to drag himself down, choice pre made, for what that would matter
then.
Splutter. Cough. Inadvertently imbibing more water. Reflexive laryngospasm tearing and burning
its way through his chest. Squeeze
slipping softly into a euphoric blanket of tranquillity - no movement now. Unconscious sinking slowly towards a bottom
he cannot see from his current vantage point – it is beyond him; far below and
into the deep down depths. He doesn’t
know precisely how long it would take to hit rocky resistance; to reach his
eventual end; he would be blue; a disappearance beyond recognition by that
stage, in any event. Finally a true
water baby, colour gilled at the nail beds; liquid’s kiss at the lips. He sees – knows - how it would be, at his conclusion. Lee draws in air, pulse beating faster, heart
pacing, as he considers the permutations in their possibilities. The water laps beside him, silent companion
in his contemplation.
Lee takes a further deep breath – a beat - filling his lungs
with air, expelling it slowly again - wholly, completely. Again.
Another. Now that he is certain,
finally, Lana is not going to surface again, he feels free to walk away from
the jutting ledge, pulling his toes from their previous curled position at its
perimeter. He doesn’t look back after he turns.
Comment
Another entry for Angry Hourglass - this one for Flash Frenzy-Round-33. Somehow this one wrote itself into quite a dark ending to produce the relevant twist in the tale!
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