There’s been a certain amount of debate in publishing
circles as to whether e-publishing means the death of the “traditional”
novel. One of my most recent reads,
however, is a book which bucks the trend towards e-formatting and pretty much
cries out to be read in hard cover – Theodora Goss's The Thorn and the Blossom. This self-described “two-sided love story”
utilises an accordion-fold binding (without a spine) as its unique selling
point.
Essentially, Goss tells the same love story from the
perspective of both lovers, with the reader capable of choosing which version
of events they will read first, Evelyn’s or Brendan’s. Much like the accordion-style interwoven
format, the two accounts marry together, each supporting the other, with
moments of overlap throughout the narrative.
As a prior recipient of the World Fantasy Award and someone
whose previous work has included adaptations upon fairy tales (A Rose in Twelve Petals and Sleeping With Bears), it is no surprise
the novella utilises the tale of Sir Gawain and the Green Knight as its starting point. Goss adapts this
subtly, to cultivate the “Tale of the Green Knight”, this being the title of a
medieval romance which Brendan hands to Evelyn when they meet. Thus, Arthurian legend mixes with Celtic mythology
and the magical realism which forms the basis of much of Goss’s work. Soon enough, this causes both characters to
question whether or not they might be the cursed lovers who are the subject of
the tale itself…
The novella is brief, at approximately 40 pages for each
version, but reads well as two self-contained stories and as a cohesive whole. Whilst some aspects of the lovers’ tale are
left unanswered, this does not detract from the tale, serving to add poignancy
to its spare story arc. Too, there are
nice touches in the artistry of the cover and inside the work itself, with the
colour scheme of green and gold mirroring those referred to via the “Green
Knight”. You can also discover a small
thumbnail image of the Green Knight on peeling back the removable sticker on
the outer case containing the book itself, should you so wish.
Clearly, a lot of thought has been given to ensuring the
narrative supports its format and should ensure Quirk Books’ latest offering
reaches its intended audience. Whilst it
is also possible to purchase an e-format, it would be a pity to waste the
opportunity to experience the physical version, for this reader at least.
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