Olivia Jones has lived
a life of privilege and good fortune.
But on the eve of her wedding she discovers two shocking facts. One – she was adopted. Two – her biological parents are notorious
serial killers. And now the secret’s
out, she’s in immediate danger.
A young woman forced
on the run
Running for her life,
Liv must face reality in the most brutal and terrifying way. But then she is confronted with a tantilising
hope – is it possible that her parents weren’t guilty of the murders after
all? And if so, who did commit them?
And the mysterious
town that gave her sanctuary. At a
price.
Arriving at the remote
town of Cainsville, Liv believes she has found the perfect place to hide while
she uncovers the truth. But Cainsville
is no ordinary town – and Liv’s arrival was no accident.”
Kelley Armstrong's Omens is, at first glance, a departure from her Women of the Otherworld series – soon to be seen on TV in the form of a serialisation of the novel the series began with, Bitten. As opposed to the urban fantasy we might expect from the author on the basis of past performance, here the world of Cainsville provides its reader with a melting pot of genres, blended to form a hint of paranormal by way of mystery via thriller. As someone who is all for an amalgam of elements when given the opportunity to experience something new, this is all to the good – especially given the initial adopted child on a voyage of discovery premise places us on all too familiar ground in terms of premise. Thankfully, the original set up of the wealthy, beautiful heroine is given a subtle twist before the character arc progresses significantly to introduce the serial killer/crime aspect of the mystery arc.
The author’s note states that “the town of Cainsville has many secrets, and it is loath to part with
them a moment sooner than necessary.” That
this is clearly the case becomes apparent as the narrative progresses, given
that the build up to Olivia’s discovery that she can see and interpret omens (for
as yet unknown reasons) is, like the remainder of the novel, subtle, with
considered pacing, as opposed to a ratcheting up of tension. This holds true for both aspects of Olivia’s
sleuthing – that of her “real” identity and who was really responsible for the
murders her parents were convicted of.
For some, this will prove problematic, given we receive partial answers
to these questions only.
Whilst the killer aspect receives a necessary “reveal” prior
to the conclusion of the novel, allowing it to function partially as a
standalone narrative arc, Olivia’s true identity is hinted at only. Such hints are reasonably few as far as the
486 page page count is concerned, suggesting there is a reasonable amount of
ground to be covered by the other novels to follow. As a result, Omens is arguably only capable of being judged in conjunction with
its series companion novels. It does,
however, provide a suitable hook in terms of mystery via which the overarching
narrative can continue and demonstrate genuine development. Ditto in terms of affording room for the
world building aspect surrounding the town of Cainsville to gain momentum.
A solid, albeit subtle, start to a new series in different territory, which provides a tantalising glimpse into what – hopefully – will
follow.
Sounds interesting!
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